Sabtu, 15 Agustus 2009

Interview Phase 1: Detroit....Complete.

It has been a wonderful week!

This past week I was in Detroit beginning the interview phase of my research.  These included two Tier 2 (or 3) companies (textiles suppliers), two Tier 1 (seating systems and automotive paints), two OEMs and an automotive textile engineering and consulting firm.  I also met with Detroit Body Products, one of the companies which has provided the trim books I am using for my data collection.   I've met with professionals in design, engineering, purchasing and in executive positions.   I am coming close to "getting little bit of everything" and have completely only 1/3 of the planned interviews.  With all the success of the week, there was one bump in the road.  One company was unable to meet due to possible legality issues.  This is understandable, and a very common issue for any researcher.  But have no fear- there may be an opportunity to host this interview via conference call at a later date (once the proper legal clearance has been achieved).  

I'd like to extend my thanks to all of those who participated and shared their experience and insight.  This niche industry is well-intertwined with creative, talented and inspiring individuals, who have reaffirmed my desire to become continue on this career path.

Sabtu, 08 Agustus 2009

2010 Camry hybrid

2010 Camry hybrid Front View2010 Camry hybrid Front View

2010 Camry hybrid Side View2010 Camry hybrid Side View

2010 Camry hybrid Rear View2010 Camry hybrid Rear View

Senin, 03 Agustus 2009

A little bit off topic...

...yes.  This isn't a traditional post topic, but it is an opportunity to get a free T-shirt.  

For just under a year now, I have been training in Muay Thai- the National sport of Thailand.  Also known as the "Art of Eight Limbs", I thought this would be a fun activity to keep me focused and fit while observing another culture.  
When I return from my research travels in September, I will extend my martial arts vocabulary by taking the Karate class offered by our school.  In preparation, I purchased a Gi- or a traditional karate uniform from Karatedepot.com.  By blogging about this purchase here, I will receive a free "Fire and Ice" T-shirt...and who doesn't love free stuff?!  

Check them out:
For lightweight karate and high quality martial arts uniforms, shop the web's #1 martial arts retailer, KarateDepot.com. Save big with $2.95 shipping every day.

PS. My research travels begin THIS FRIDAY!

Jumat, 24 Juli 2009

Congratulations NC State College of Design!

Business Week turned to an international panel of 22 expert design and brand consultants and academics to name the NC State College of Design on their Top 60 Best Design Schools in the World!   We are in the company of Hong Kong Polytechnic, RISD, Pratt, and CCS.  Check out the other 59 on this interactive table.


Also in the news, our Dean Marvin Malecha has been named Design Intelligence Most Admired Educators for 2009!  (and I certainly agree!)

Congratulations NC State, College of Design, and Dean Marvin!

Racing the Clock

I woke up this morning with the reality of having exactly 2 weeks before I begin interviewing nearly 70 professionals in the automotive textile industry.  Every day is now part of the count down!

This Week
I'm giving myself 1 more week to focus on researching the factors that have influenced trends in body cloth motif, scale, and color.  During these past few weeks, I have also been researching trend cycles.  Although this information will not be presented in the interviews, I hope to compare previously observed trend cycles with those I have uncovered.  I have found some very unique historical research such as that by Richardson and Krobler, which tracks women's fashion through 3 centuries of changing dress width and length, or Robinson's studies on men's facial hair and American automobile size.  Other trends that I'm sure have impacted this industry include national and expendable income, increase in globalization and the impact of foreign automotive markets, and times of war and natural disaster (just to name a few).  I hope to learn about much of this through the interview process, which I'm sure will also reveal many factors I may not have considered.

Analysis
In order to discover factors, I am first acknowledging the cycles, peaks and troughs of motif, scale, and color trends.  I am looking for critical dates and asking the question, "what made this happen?".  The potential factors are limitless.  By noting critical dates first, I should be narrowing my scope to only the factors that had noticeable effects.  


Also this week, I have become a manager (what?).  I have realized that I've gone in a little too deep with the amount of time remaining before I begin interviews.  
How did I get here?  Well, I'm usually wonderful about over-estimating the time it will take to complete a task, and I have been so generous  with each of my due-dates.  I have also been careful about reevaluating my goals with the time remaining at each step.  Reaching out to contacts, however, is what did me in.  Since March, I have been in light contact with a few key players who have helped me organize my list and collect information.  July 1 is the date I set to send initial contact letters to potential interview participants.  It is 3 1/2 weeks later and I am still spending a few hours each day on the phone, replying to emails, or searching for contact information for emails that have bounced back and retirees who have moved.  I knew this would happen- but certainly not to this extent!    
What's the new plan?  The solution was quite simple (although costly).  I have hired 2 of my  very wonderful friends from the College of Textiles, who are well-versed in color, to work with the color analysis, Sara Yasin and Emily Hanhan.  A few weeks ago I created a color table classification system (shown a few posts back) and a spreadsheet for the data to be recorded.  I ran about 7 trial years and realized that my eye was being far too picky and taking far too long.  Sara and Emily are working from 2 different ends of the time spectrum and will meet in the middle.  This process is a simple matter of classification and counting, but it is "mind-numbing" and time-consuming and I just don't think I could be prepared for what August and September have in store for me without their help.  (Thanks ladies!)

So now I have a fun-filled weekend of playing "what are the factors?" and have the goal of leaving the apartment a total of 1 time (yes, I've become a bit of a hermit).  I guess next week I will update on what's in store just 1 week prior to interviews.  Thanks for the support!


Also...I apologize for not adding images of my trend cycles.  We'll all just have to wait until my thesis has been submitted and approved for publications so that I'm protecting myself from all that legal whoop-la.  August 16th you can expects lots of pictures of lots of really amazing cars from Pebble Beach!

Senin, 20 Juli 2009

Pebble Beach Concours d'Elegance tickets are BOOKED!

Today is a VERY happy day!

I'm sure most of you know by now that the reason I am a car girl is because of my dad.  While I like new and shiny, I have the nostalgia of a 70-year-old when it comes to cars (and music).  Vintage will never go out of style and this is proven by the thousands of Antique Automobile Clubs, Classic Car Clubs, and Society of Automotive Historians across the globe.  Any car enthusiast knows that the creme de la creme of "car shows" in the world is the annual Pebble Beach Concours d'Elegance!

This annual affair has raised over $12 million for charity since its initiation in 1950 and includes a series of related events such as the Pebble Beach Tour d'Elegance, Pebble Beach RetroAuto, the Pebble Beach Auction,

Each year only 175 of the most prized collectors cars in the world are invited to appear on the famed eighteenth fairway of Pebble Beach Golf Links each year.  To contend in the Concours d'Elegance, an automobile must be a well preserved or accurately restored vehicle still quite capable of doing what it was meant to do- be driven.  It will almost certainly have some historic value- perhaps in its day it served to debut new technology or new styling trends or it has an amazing racing record.  And it will be rare- possibly a singular example of a special chassis bearing a respected coachbuilder's art.  After all these criteria have been met, a concours car must be one thing more.  Above all, it must be elegant.  And elegance is a matter of the eye and heart.

“There is no such thing as a score sheet for elegance. It’s largely a matter of taste, recognition of design advantages, and knowledge of the performance and quality of the total architectural concept.”
– Strother MacMinn, Renowned Automotive Designer and Former Chief Honorary Judge at Pebble Beach

“From a strictly personal point of view, my definition of an elegant car would be ‘the kind of car I would like to be buried in.’” 
– Ansel Adams, Photographer and former Honorary Judge 
at Pebble Beach

Please be sure to check out the Concours website, notably the History page, which scrolls through a timeline of notable cars and events since the shows initiation in 1950.


Oh...and by the way....the Chairman the show since 2002...is a woman: Sandra Kasky Button.  Now that's a job I could have fun with!


All images and information are provided by the Pebble Beach Concours website: http://www.pebblebeachconcours.net/


And in a side note: Congratulations USA!  40 Years since our first steps on the moon!

Senin, 13 Juli 2009

Back from NYC

The City must love me :)  
The weather was perfect the entire time I was in New York, and I was welcomed back to North Carolina on Sunday to 99*F and 12 new mosquito bites.  But I also got to spend a surprise evening with my whole family because they were in town celebrating my sister's birthday!

And now...it is back to the research world!
I have exactly 25 days before I leave for the interview portion of my research in Michigan, California, and North and South Carolina.  So its time to center myself again and see what's left:

1) COLOR ANALYSIS 1960-2006  (July 13-19)
2) CONTACT INTERVIEWEES  (July 13- August 7)
3) FACTORS portion of Literature Review (July 20-31)
4) Create a MODEL demonstrating the relationship between Observed Trends and Researched Factors (August 3-6)
5) Finalize Travel Plans based around Interview Schedules (August 3-6)

Lets just see if I can pull this off!  There's little time for error or the unexpected, but there are very few interruptions in the upcoming weeks and I'm confident that I can keep my head in the game!

Senin, 06 Juli 2009

Color Analysis Scale

Hello from Brooklyn!  
I've spent the past few days absorbing the culture of Brooklyn, New York.  This is certainly a different world from Manhattan and I'm loving it!  I'm staying with a friend from CoT and we've surrounded ourselves with NC kids throughout the weekend.  I just seem to bring beautiful weather with me as its been warm and sunny with a nice breeze- just perfect for lots of time outdoors!  Even though I will still be around until Sunday (switching over to Manhattan on Wednesday), I'm going to have to keep myself indoors for the week as deadlines are approaching!

Below is a color scale I've created in order to categorize the DeLeo/Detroit vinyl swatches for color.  I still haven't exactly figured out how this will be done, as I currently have 124 different color groups.  This chart scale was created based on a digital Munsell scale I found.  The image was pixelated so the colors were not pure, which is why I created my own.  As you can see there are some inconsistencies in gradation of chroma and value, but for the purpose of this study, I am focusing on color trends in a very general perspective and am doing so by creating color groups.  If you have any further suggestions, please let me know!

Minggu, 28 Juni 2009

Vettes 4 Sale



 
A quick explanation about the auction process via my dad:

"When a car doesn’t reach the reserve amount set by the owner during the few minutes on the auction floor, then they move it outside a put a sticker on it showing the last bid, that way if someone wants to raise the bid they can.  So the price on the window can be called the “Won’t Sell for this amount” od dollars.

 

Now all corvettes have a value, but if the car is rare it has a higher value and if it has a story it is real high.

 

Anybody what to raise the bid?"

"And a Pedigree Car well, this one was bid up to $985,000.

It did not Sell.

The Reserve was set at $1,300,000."


Sabtu, 27 Juni 2009

Color Marketing Group

Wednesday, after presenting to the College of Textiles S.T.E.P. students, I took off for Washington DC to visit Color Marketing Group.  I spent a half day on Thursday at their executive office in Alexandria searching through their archival color trend forecasts.  

Color Marketing Group is a nonprofit organization whose goals are to connect color experts from a variety of industries in order to develop current and forecasted color directions.  CMG members are Color Designers involved in the use of color as it applies to the profitable marketing of goods and services.  CMG provides a forum for the exchange of non-competitive information relating to all phases of color marketing: color trends and combinations; design influences; merchandising and sales; and education and industry contacts.

CMG's major focus is to identify the direction of color and design trends.  CMG members then interpret that information into salable colors for manufactured products across all industries.  CMG's primary forecasting opportunities are in the form of Conferences held twice annually, during which CMG members forecast Color Directions(R) for all industries, manufactured products or services.  These Consumer and Contract products include: Action/Recreation, Consumer Goods, Technology, Home, Visual Communications, Transportation, Juvenile Products, Fashion, and environments for Office, Health Care, Retail, Hospitality/Entertainment and Institutional/Public Spaces.  Major presentations, panels and Workshops are held at these Conferences to exchange information on color, marketing and design issues.

This information and more can be found on the CMG Website!

Thanks to my wonderful hosts!

Jumat, 26 Juni 2009

Bloomington Gold Auction

So my dad's spending the weekend with the likes of Jay Leno and Reggie Jackson and over 5000 Corvettes at the Bloomington Gold Auction in St. Charles, Illinois.  I've asked him to take pictures for me and will hopefully posts some of those.  But the reason for posting now is to encourage you to watch the auction live!  Its available on a variety of cable stations and in a live webcast.  

Check it out at: www.mecum.com

Look for my dad in a light blue shirt and Corvette hat :)



"America's Original Corvette Show"


Jumat, 29 Mei 2009

I'm still here!

I've had a few of you asking where I've been...
well...I've been making progress!

Slowly (very slowly), but surely.

So here's a quick update:

Making Connections
Most of last week was spent organizing our contact list and beginning to make connections.  First on our list were members of the Color Marketing Group.  Nancy is a member of this organization which "provides a forum for the exchange of non-competitive information relating to all phases of color marketing: color trends; and combinations; design influences; merchandising and sales; and education and industry contacts".  As a member benefit she has access to the contact information of all other members.  While most are personal connections of Nancy's, we also reached out to others that we thought would be able to provide insight into my research.  Those that I have connected with already have been some of the most informative and kind people I have ever spoken with.  They have helped guide me in the right direction (a new direction) and have helped to make sure I have access to all the information that they know is available.

I have also connected with a California contact and reconnected with Stephanie Rodgers in Michigan, who are both helping me extend my network and interview options.

I have also reached out to one of Nancy's contacts at Unifi, a North Carolina based yarn manufacturer who supplies every industry from hosiery to automotive.  I plan to visit the Unifi office in Greensboro and one of the manufacturing facilities in Reidsville next week.

Changing Directions
So I did it.  I did what every graduate student does.  I have changed my focus mid-way.  Okay, that might not quite be fair...how about I have narrowed my focus (much better).  I tend to overdue it, and what I once thought was a small task, I have now realized was not reasonable expectations within my time frame.  
So what's the difference?
Now I am focusing on Color, Motif, and Motif Scale.
This decision has eliminated structure and materials.  We hoped that De Leo and Detroit Body Products (the producers of the automotive trim books...my primary source) had maintained a database with all the information the books didn't list, such as materials, and structure, and the supplier information.  They, however, informed us they do not.  After sitting down with Helen Scott, a former designer for Guilford Mills, we realized that the only way for even the most experienced fabric designer to tell exactly how an automotive fabric is constructed (when you can't remove it from the books) is if they designed it themselves.  
It was time to move on.

The solution was obvious.  I need to analyze what I can see.  I can see color and pattern.  After running my idea past Nazire (a VERY helpful doctoral student of Nancy's), and Stephanie, I knew I had something good.  The only thing I didn't know was why I hadn't thought of this sooner!  I Love Color!  I am certain that I am now on the path to success!

Now What?
I have spent this past week creating an analysis system for Motif and Motif Scale.  
Motif is divided into the following 14 categories: Solid, Solid Basket, Solid Twill, Solid Knit, Plaid, 2 Color Basket, 2 Color Twill, Lines/Ridges/Stripes, Geometrics, Honeycombs, Florals/Organics, Mesh, Textural, and Dots.
Motif Scale is divided into the following 5 categories: None (Solid), Small (<1.5cm),>5cm), and Multi-Color.
I have successfully analyzed 4 years according to this system at about 1 hour per year.  That makes my total analysis time about 60 hours, which I hope to accomplish in 1 1/2 weeks.

Once I have completely analyzed for Motif and Motif Scale, I will then create a system to analyze color.  I hope that our contact at Unifi will have some insight into this process.  Our current plan is to analyze color based on the vinyls for each company in order to get a general feel of the color trends by year.


I guess its back to work!  Please feel free to email me again if you catch me slacking on my posts :)

Kamis, 14 Mei 2009

Committee Meeting 4

Its 3 a.m. and I am WIDE awake...so what is better than to update my blog?  I'm sure the reason I am awake at such an unruly hour is because my head is swimming with new and old information regarding my research.  I have some pretty big decisions to make, and very little time to make them. 

1. New Meeting Date
One of the biggest things that became obvious from the meeting Tuesday, is that by mid-summer, we're all sure I will be in desperate need of another committee meeting.  Originally, our next meeting wasn't scheduled until July 28th.  Part of the reason for this is because Nancy summers in England with her husband .  The other part is because I see the summer as a chance to really accomplish something, with as few "distractions" as possible.  What was I thinking?  My committee is not a distraction!...they are truly there to help me to the best of my ability.  They are not just a sounding board for ideas, or a group who's only purpose is to sign a piece of paper to ensure I graduate.  I think this may be the #1 mistake most graduate students make.  The truth is, they are a... group of individuals, genuinely interested in my success.  They are in total support of not only my research, but also my future.  If I allow myself to ask for help, this whole process will prove much more fruitful.

Key Tip #6: Your committee is your most valuable asset.

Our next date is now scheduled for June 22 (with Nancy via skype).  By this point my goals are to complete the preliminary literature review and the swatch analysis

2. Predicted Factors
One point that developed from our discussion was that in order to tackle such an immense body of data effectively, I must have a prediction of the trends I expect to see, and the factors that led to these trends.  This brought me back to my original plan of attack (from December).  It was at this time that I had planned to learn about the contributing factors first, and then analyze their effects based on the story of the samples.  We realized that if I approached it this way, there would be no concrete stopping point.  To combat this, we decided to approach from the other end, and I also developed Hypotheses as follows:

Hypotheses 1-4 were developed in relation to Research Objective 4:
1. Consumers influence automotive upholstery trends.
2. Suppliers influence automotive upholstery trends.
3. OEMs influence automotive upholstery trends.
4. Global Factors influence automotive upholstery trends.
Hypothesis 5 was developed in relation to Research Objective 5:
5. The decision makers in automotive upholstery are a cyclic struggle between design, engineering, and purchasing.  Trends in automotive upholstery have developed based on who holds the decision-making power.  (See image below)
The Factors I predict discovering in the post-analysis literature review are also included below.  It is important to note that I am not limiting myself to only these, and perhaps the list will even be shorter after the analysis, but this list gives me an idea of what I can expect to find.





















3. Method of Visual Analysis
I will begin with a univariate analysis of materials, structures, colors, and patterns.  Below is a very rough example with made-up color data.  At the bottom of each graph, I will align the influencing factors in order to see what effect they may have had on the fabrics over time.  This is my very general proposed method of analysis as of today, just to present a visual model to the committee.  Please keep in mind, part of my preliminary literature review involves understanding how previously published research focusing on trend cycles organized the data.  I hope that a better system will develop from this information.

4.  Years Covered by the Analysis
Now this is the big one!
A) Original Plan: Cover major events in the past 100 years that influenced upholstery development.  Look for changes in the fabrics that reflected these events.
B) Updated Plan: Analyze 50 years of fabrics first to identify trends in Materials, Structure, and Design, and then determine what factors influenced these trends.
C) Proposed Plan: Analyze fabrics from the past 10 years and identify the influencing factors in order to design successfully in the future.

This is where I could certainly use your feedback!
It is quite the delimna for me, and needs to be decided very quickly.  I understand that C is more relevant, will be more interesting for those I'm interviewing, and that they will be able to answer more precise questions (since many of them designed the majority of these fabrics), and all of this will make collecting accurate data much easier.  Also, if I go with C, my analysis and factor exploration can be much more detailed.

Plan B is the big picture.  I understand that it will not be possible to reach the level of detail that is possible with C, due to the volume of data.  However, its the big historical events and cycles that interest me the most.  I've been viewing this research as a historical analysis from the beginning, and feel that analyzing 10 years instead of 50 makes a huge difference in my goals.

I'll will graciously accept all comments and votes for these options!  I have a feeling that those of you who have been through this process are going to shout out "C", but for the optimists (meaning anyone who has never written a 200-page research paper, including myself) 'B' just seems more interesting...am I right?


My Next Moves:
Even without making this crucial decision, there is much to be done!

This week I have tried to contact every known source that might possess a list of the top selling vehicles including Automotive News, Car and Driver, MotorTrend, Forbes, the Bureau of Economic Analysis, the DoT Bureau of Transportation Services, Detroit News, and of course Ward's Automotive.  I left messages at as many people as I could contact at the first 4, the government associations both referred me to Ward's, and the Detroit News information library laughed at me and wished me good luck! :)  I finally got a call back from Ward's.  They have this data beginning in 1980 (still not 1955, but it gets me 16 years closer than before!).  We have been playing phone tag, but it sounds like they will be glad to let me purchase this data (joy...more $).  Hearing from them has also allowed me to conclude that if they do not have a list prior to 1980, no one does (besides calling all companies individually).  This means I need a new plan of attack for selecting vehicles between 1955-1979 (1 potato, 2 potato, 3 potato, 4?).

I have also met with Zoe Starling and Mary Hauser, curators at the NC State Gregg Museum.  I contacted them with hopes of learning more about maintaining archives, and for advice on developing a consistent system for recording my analysis data.  They referred me to the museum at FIT, which maintains a swatch collection, and to www.DocuSwatch.com. (This is certainly not a sophisticated site, but the contact information is available, and they might prove to be a valuable research).  
We also spoke quite a bit about the TIMMIE collection.  This collection consists of late 19th to mid 20th century American textile history.  Timmie Corporation of Wilmington, NC produced home furnishings and automotive textiles in its mills from 1952-1983.  In the collection are swatches of fabrics and the original specs used to communicate between the customer and supplier.  Unfortunately Nancy and I are perhaps the only ones outside of the Museum staff who have spent any time with this collection, and it is hidden away in drawers without any clear organization system (which would be a huge undertaking!).  This collection actually sparked my research topic, but once we decided to focus on fabrics after 1955, we also decided to stick with the De Leo and Detroit books.  Viewing pieces of this collection today, did, however, reveal the opportunity to use some of the notes written on each swatch regarding customer demand and pricing in the factor stage of the post-analysis literature review.

The final goal for this weekend is to conduct a full analysis of 2004, 2005, and 2006.  For each year, I will prepare the vehicle data cards and analyze the fabrics by materials, structure, and design.  This information will be recorded in a database and hopefully set the format for the rest of my study.


Wow...its amazing how much you can write when you just can't stop thinking at 4 a.m.!

Senin, 11 Mei 2009

Research Update

Below are some of my main slides for my Marketing Research class's final research proposal.  If you have having difficulty reading any of the slides, click on the image for a larger view.  As always, feel free to contact me with feedback or questions: www.AutoTexDesign@gmail.com.










Selasa, 05 Mei 2009

Minggu, 03 Mei 2009

New Email Address!

AutoTexDesign@gmail.com

Hey everyone!
I just wanted to share my new email address with you.  I want to thank everyone who has been reading my blog and sending me questions.  I hope that my responses have been helpful and informative!  This has been a great opportunity for worldly networking as I have made contacts from Egypt, Iran, Japan, Canada, and all over the US.  I track my visitors to this site with Google Analytics and get an average of 9 views a day and have had almost 1,000 unique visitors from 70 different countries!  

Moral of the Story- get out there blogging!  Its amazing who you'll meet with similar interests!
And as always...please feel free to email me with ANY questions about textiles, design, automotive interiors and upholstery, graduate school, writing a thesis....

AutoTexDesign@gmail.com

Rabu, 29 April 2009

Art to Wear 2009!

Why not make it a 2 post night?!  Especially with all the end of the school year excitement!
One of the biggest events to happen at NC State each year is the Art to Wear Fashion Show, a collaborative event hosted by the College of Textiles and the College of Design.  

Art to Wear was initiated in 2001 by Anni Albers Scholars (my program!) with the help of College of Design and AASP faculty member, Vita Plume.  Since its initiation 8 years ago, the show has grown from 100 spectators, to over 3000!  Over the years Art to Wear has changed many features to meet the demands of its increasing popularity: it has had 3 different homes on NCSU's campus, studio classes have been added to both colleges focusing on the show, and the committee of students involved in all aspects from design, to communications, to fundraising and more has grown substantially!  One thing that has not changed with time, is the extreme quality and creativity unleashed in every one of the student designs.  The professionalism of this event is remarkable, and admirable!  I am proud to have been a part of this event in the past, but I also enjoyed this year's experience as an audience member.  This was the first time I had not seen the designers' pieces prior to the show, and I was as impressed as ever!  

Designers
Vansana Norlintha "One Human Circle"
Courtney Hummel "Garnish Delight"
Alyssa McNamara "Rooted"
Katlyn Griffin "Absolutely, Maybe"
Hannah Goff "Bound"
Lauren Boynton "At the Beach"
Allison Russell "The Legion of Steam Underground Ball"
Veronica Tibbetts "American Dream"
Adrienne L. McKenzie "Rapture, A Masquerade"
Jessica Roush "Tribal Fusion"
Chase Kennedy "A Reflection of Rebellion"
Leigh LaVange "Frosted Heart"
Amy Quinn "Le Danse des Desserts"
Shelley Smith "Wanderlust"
Charlotte Guice "Nesting"









For more stories and images, please visit the following sites:
- The Technician is NCSU's Student Paper
- The News and Observer is RDU's Primary Paper News Source
- These are collections from friends and spectators available on Flikr
- And my photo set :)









Art to Wear Team
Director: Amy Quinn
Fundraising: Emily Cheng
Arrangements: Katie Skinner | Jay Ross
Photo/Video: Kiley Schiffman (Provided by Jeff Basladynsi, Saul Flores, Marc Helk, Grace Young, and Island Sound DJ's & Video)
Graphics: Katlyn Griffin | Sarah Gudely (Provided by Iris Chen and Toni Chester)
Jury/PR: Richelle Smith
Treasurer: Morgane Klareich
Communications: Katie Banner
Stage Moms/Seating: Amy Gray | Kenzie Morrison | Liz Howell
Hair/Makeup: Candis Shiflett | Jenny Le (Provided by Paul Mitchell Emerald Academy)
Faculty Advisors: Dr. Cindy Istook | Jan-Run Wan

Thanks is also given to Dean Marvin Malecha, Chandra Cox, and Sherry O'Neal of the College of Design.  
As well as Dean Blanton Godfrey, Emily Parker, and Shawn Dunning of the College of Textiles.
The many sponsors, including Sunbrella, Tumbling Collors, Jerry's Artarama (and many more)
MC: Michael Perros
Model Training: G and S Talent Inc.
and of course the Jurors: Kate Kretz | Nico Morrison | Myriah Zaytoun













For more information, please visit the Art to Wear webpage at: www.ncsuarttowear.com
DVDs of the entire show are available for order from this site!

Also, if you missed the show, you'll be able to see the collections May 11 at some of the fashion boutiques at Cameron Village in Raleigh!
Great Video Explaining this Unique Event!